Author: Иззетова, Э.М.

Annotation: This article examines the philosophical and methodological dimensions of China's aesthetic worldview and spiritual culture in the context of their historical development and unique worldview. Particular attention is paid to the analysis of key categories of Chinese aesthetic thought, such as harmony, dao, mei, and the unity of man and nature, which form a unique model of worldview. The influence of Confucianism and Daoism on the development of aesthetic principles that define artistic creativity, cultural practices, and everyday life is explored. The author reveals the relationship between philosophical concepts and artistic forms, revealing their methodological significance for understanding Chinese culture as a holistic system. The conclusion emphasizes the relevance of studying Chinese aesthetic worldview in the context of intercultural dialogue and globalization.

Keywords: culture, aesthetic culture, China, symbol, image-sign, symbolic construction, semiotic paradigm, Confucianism, cultural memory, national code, semiosphere, symbolism of emptiness, Taoism, holistic thinking.

Pages in journal: 204 - 214