Author: Hakimov, Ziyodullo
Annotation: The article deals with the origins and processes of the formation of Bukhara shashmaqoms, the place of their status in oriental music, their initial theoretical foundations. In matters of studying the theoretical foundations of maqam, the emphasis is mainly on the theory of ilmi iiko (rhythm).
Keywords: Shashmaqom, Iiko', Ho zamzam, Chapak, Kars, Ushshak, Navo, Busalik, Rost, Hijaz.
Pages in journal: 475 - 484
Kadirov Muhammadjon