Author: Qalandarov, Usmon Egamberdiyevich
Annotation: This article analyzes the director's decision and acting skills in the musical drama "Ashik Gharib and Shohsanam", which was staged in 1956-1957 and presented to the audience, and reflects on ideological maturity. The painful suffering of the actress who sang the aria in a radio play recorded on magnetic tape in 1958 is also taken into account.
Keywords: Theatrical art, idea, Ashik Garib and Shohsanam, audience, musical drama, aria, performance.
Pages in journal: 1315 - 1319
